Sentence examples for underneath the play from inspiring English sources

Exact(1)

The jealousy factor simmers continually underneath the play, adding to tensions already complicated by a troubled upbringing (the brothers were coldly abandoned by their parents) and hapless relationships with women (Booth's sometime girlfriend is named Grace, as in "fall from").

Similar(59)

Standing water does not take long to remove from the courts, but the bigger problem is caused by water that collects underneath the playing surface.

Kathleen Rogers Recognise football as a force for good: What if a new stadium in a country facing water scarcity also acted as a giant water reservoir (underneath the playing surface) and all the stands were collecting water to be used for greening community spaces?

The dark environment generated underneath might play a role in the biotic interactions by inhibiting vital processes of competitors.

But since Mathias and designer Stephen Brimson Lewis have set the play underneath a theatre's decaying proscenium arch, it's not far-fetched that two seemingly resting actors would put so brave a face on failure.

defer.add img); Alternatively, you can move around in the song by dragging the little blue timing bar along the time scale underneath the main play buttons.

But I thought the touch stuff, the stuff underneath, the bootlegs, the movements, the play fakes were great.

I sat in the balcony and I watched the play, and, underneath the pleasure, and the applause, for the first time, I felt fear.

In a peroxide wig, a clown's nose, giant rubber hands and a hospital gown with nothing underneath, McCarthy plays the role of a demented abstract expressionist, spattering ketchup all over the place and probing the canvas with his phallic brush until it is thoroughly punctured.

As shown in Figure 2C the force curve displays distinct regimes: from being free in air above the sample to the initial fibril indenting section where the tip 'only' feels the fibril (Figure 2C, part I), to where the mica underneath starts to play a role (Figure 2C, part II), and finally to the last section where only the hard surface is felt by the tip (Figure 2C, part III).

When Elizabeth Ashley took on Violet in the 1995 Broadway production of the play, she went for the broad strokes and not the tremolo underneath, playing the fading old woman as though she were the Venus flytrap at the center of the garden which Sebastian tended with love and disgust.

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