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GD involves a subset of patients only, suggesting an underlying susceptibility, mediated by PD-specific factors such as a dysregulation of dopaminergic system, which may also modulate underlying temperament traits.
The central premise is that genetic and biological dispositions of individuals influence fertility either directly via genetically mediated variations or, since many aspects regulating fertility possess considerable volitional control (e.g., decision of age at first birth, fertility preferences), via underlying temperament or personality influences on fertility decisions (Jokela et al. 2009).
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Therefore, to understand the mechanisms underlying anxious temperament it is critical to identify the relations between brain function and anxious temperament that are stable over time and invariant across both stressful and secure environments.
The purpose of this review is to summarize findings from fMRI studies that tap on neural correlates of personality aspects in healthy subjects, in order to provide insight into the neural activity underlying human temperament.
The first one is that underlying cyclothymic temperament can explain the relationship, and borderline personality disorder [ 9] (as well as bulimia nervosa [ 8]) are variants of bipolar disorders.
Affective temperaments such as cyclothymic and hyperthymic temperaments have been regarded as potential antecedents of bipolar disorder but the neural substrates underlying these temperaments have not been identified.
In most if not all cases, one can discern basically the same artistic temperament underlying and guiding performance, no matter what the medium.
Emotional dysregulation is often hypothesized to involve some deficit in the ability to modify emotional responses as a result of underlying neurobiological dysfunctions and/or temperament traits [ 31].
Pain reactivity may reflect underlying mechanisms of constitutional aspects of temperament.
Led by the Glass veteran Dennis Russell Davies with careful attention to both its underlying pulse and its twists of temperament, the opera opens with an ominous, low murmur punctuated by sharp, syncopated percussion snaps.
In a Tosti set, Charles Castronovo, a tenor, was so earnest about the words that he muffled his own temperament and concealed the songs' underlying elan.
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