Sentence examples for underlying aesthetic from inspiring English sources

This untitled painting to the left, from the Minneapolis Institute of Arts, is from 1958 and highlights Guston's meticulous adherence to the movements underlying aesthetic principles.

Bronzino was later influenced by the teachings of the Counter-Reformation, adopting a more modest narrative style, but his underlying aesthetic art remained a sense of maniera.

"The exhibition is organized into sections that consider the forms and underlying aesthetic values of Urhobo society: personal images that offer protection and advancement; images of women at various stages of life; masquerade arts; and at the grandest level, communal shrine art, awesome in scale and form.

With Borneman, though, the underlying aesthetic is more (forgive the pun) earnest.

"It could be applied to any space where you care about maintaining the underlying aesthetic, such as textiles and billboards," he says.

Richard Lunt lead the team and says the material is intended for any surface where you want to maintain the underlying aesthetic -- be it an app on a glass screen, or a sunset out the window.

The issue of Sontag's sexuality is not nearly as riveting or potentially illuminating as the authors seem to think, but in any case it is a subject that deserves to be linked up with other aspects of her -- including the gay aesthetic underlying her fascination with camp and with issues of dominance and enslavement -- rather than mined for its salacious appeal.

One is tempted to think that the carefully constructed close-ups are meant to play off the grander and more romantically dramatic forest scenes an opposition underlying a Baudelairian aesthetic that has intrigued Bonnefoy through the years.

As for the normative question of why the refined judgments of the wise are preferable to the rash prejudices of the vulgar, Hume is content that moral sense assigns approbation to the "original instincts" underlying moral and aesthetic taste (T, 619).

Our study reveals for the first time the neural architecture underlying the complex "aesthetic" emotions induced by music and goes in several ways beyond earlier neuroimaging work that focused on basic categories (e.g., joy vs. sadness) or dimensions of affect (e.g., pleasantness vs. unpleasantness).

Based on an event-related paradigm, the findings of this study suggest that there are associative and dissociative neutral mechanisms underlying different types of aesthetic judgment and aesthetic emotion.