Sentence examples for typical textures from inspiring English sources

Third, shear band developments in plane strain pure bending of a sheet specimen with the typical textures are studied.

The typical textures of the tapes are 5°~7° decided by X-ray ω-scan (out-of-plane) and Φ-scan (in-plane) full-width at half-maximum (FWHM) values.

It was difficult to separate apatite crystals from the quench-crystallized matrix after the flux had been washed out. Figure 3 shows typical textures observed in the experiments SynCLAP 8-10. Figure 3 SynCLAP10: Ideomorphic apatite crystals (lighter grey) in a matrix of acicular Ca-silicate crystals, most of it wollastonite (CaSiO 3 ), after washing with HCl solutions.

Three typical textures appeared after hot compressive deformation and the order of the texture intensity from largest to smallest was: Copper texture of {1 1 2}〈1 1 1〉, S texture of {1 2 3}〈6 3 4〉, Gauss texture of {0 1 1}〈1 0 0〉.

In a typical texturing condition, the IPA concentration is higher than the NaOH (or KOH) concentration.

In this study, effects of typical texture components observed in rolled aluminum alloy sheets on shear band formation in plane strain tension/compression and bending are systematically studied.

The macroscopic anisotropy for typical texture components in aluminum alloys and AA5019A sheet samples (H48 and O temper conditions) were investigated.

The AE21 and AE42 alloys show typical texture after ECAP with grains predominantly oriented with basal planes inclined by ∼55° from processing direction.

This is most probably due to the fact that, after cleaning, the finishing and the typical texture of the marble are unveiled, so that the orientation is no longer a key factor determining the colour appearance.

It was shown that by tailoring the c/a ratio the typical texture development could be effectively suppressed in magnesium alloys processed by ECAP and in such way the negative effect of texture on strength can be avoided.

By rotating the twinned martensite structures over all crystallographic orientations using Euler angles, the magnitude of the transformation potential was plotted as an orientation distribution plot for comparison with typical texture components.