Sentence examples for types of conceptual from inspiring English sources
Klein ventured into other types of conceptual art as well.
The developed model is employed to rank the efficacy with which several types of conceptual and prototype wave energy conversion technologies generate electricity from the wave energy resource available at UK and US sites.
Similar considerations suggest that concepts may have theory-structure and perhaps other types of structure as well (see Laurence & Margolis 1999 on different types of conceptual structure).
Only Seuring and Müller (2008b) take different types of conceptual, empirical, and quantitative modeling literature into account that holistically consider sustainability-related aspects of SCM.
There are three basic types of conceptual account of legitimate political authority: legitimate political authority as justified coercion, legitimate political authority as the capacity to impose duties, and legitimate political authority as the right to rule.
It is difficult to distinguish between these two types of conceptual change during elementary school, and whatever is happening is probably the outcome of both maturity and schooling (Inagaki and Hatano 2002, p.153 154).
This is the type of conceptual fashion which, done badly, often has audiences rolling their eyes.
First, a new type of conceptual model is introduced to further increase the computational efficiency.
Waiting to go into the service, Mr. Chalayan said that that type of conceptual fashion may one day return but that, for now, young designers "are concerned about what the City thinks" — meaning potential backers and sponsors.
Her decades-long investigation of the medium sees Purkiss's definition of what makes a sculpture extend well beyond the plinth, to include installation, performance and the type of conceptual intervention that Martin Creed, seen here outside the Barbican, near his office, is known for.
Its 20 or so most active and influential practitioners were mostly trained dancers working on the fringes of the dance-world establishment and their visual artist peers, all of whom recognized that one of the things dance could be was a type of conceptual or performance art, other then-burgeoning and medium-blurring movements that regarded the three-dimensional body as a Duchampian ready-made.
