There are the trademark rectilinear compositions, madly overcooked monologues and hammy acting, faces in closeup lit from below, reflections of Hockneyesque rippling water, an interest in architecture that Greenaway here complicates with woozily bending wide angles and Escher-type illusions: all unfolding on a single, unvarying rhetorical note.
These have to account for the very vivid appearances of motion in ordinary perceptions, not just the rather peculiar motions produced in waterfall-type illusions.
Everything in there, there was some form of that type of illusion being done in Europe at that time.
Developed Dr Aude Oliva of Massachusetts Institute of Technology (MIT) in the US, this type of illusion is a called a hybrid image.
In follow-up discussions with Bossis, Patrick Mettes spoke of his body and his cancer as a "type of illusion" and how there might be "something beyond this physical body".
Accordingly, we surmised that the OT measure can also be employed to distinguish between these two experiences when participants are aware of what type of illusion to expect.
In this experiment, having already established that OT can serve as a reliable online proxy for the RHI even when participants are unaware of what type of illusion to expect, we focused even more directly on the disownership hypothesis.
In an intriguing type of illusion, touch sensations can be felt as produced on objects, such as rubber hands, mannequins or virtual bodies, located away from participants' real limbs or bodies [1], [2], [3], [4], [5], [6].
This means that life is a type of illusion, very much like a dream, and that any object found in either state of consciousness is, therefore, insubstantial and without a significant nature.
But so far as I can make out, this suite is devoted to images and to 'images' - to types of illusion, tricks of mind and eye (the nail a nod to Magritte and maybe the American trompe l'oeil master John Peto).
