Sentence examples for two poussin from inspiring English sources

They were particularly surprised as the move came after an attack on two Poussin masterpieces.

News of the staff cuts comes barely a month after two Poussin masterpieces were vandalised by a man who sprayed them with red paint.

Yesterday in Los Angeles the J. Paul Getty Museum opened "Poussin Landscapes by Leon Kossoff," an exhibition of two Poussin landscapes with prints and drawings Mr. Kossoff created in response to them.

The story says that while the King's taste runs to Flemish and Dutch painting (the Carlton Palace pictures), his late father had been "fonder of the more poetical and higher departments of art" and that "the Windsor collection accordingly abounds in the works of Raphael, Titian, Parmigiano, the two Poussins, Lorraine etc".

The works include eight Poussins and three Raphaels and have been valued at nearly $400 million.

Still, Mr. Rosenberg is wistful about the prospect of a permanent reunion at the Musée Fabre, where the "Venus and Adonis," one of four Poussins in its collection, normally hangs in a handsome gallery at the heart of the museum.

Among the most provocative is a work based on the two shots Poussin had at a subject he called The Arcadian Shepherds, showing a group of men and a woman uncovering a tomb engraved with the Latin epigraph, Et in Arcadia Ego (I too was in Arcady).

Three stars Poussin whole Forman & Field £4.95 for 2, formanandfield.com This is wet, oddly enough.

The whole film is very much a landscape film, which would relate to the traditions of Claude Lorraine and Poussin, two Frenchmen who spent most of their lives and their painting careers in Italy and had an enormous influence, not only on French landscape but on English landscape.

Paradoxically, Berger exploited details in Ways of Seeing and today's art historians are intoxicated by them – none more so than social art historian TJ Clark (no relation), whose short book The Sight of Death (2006) features 70 delirious details of two paintings by Poussin.

The art historian T. J. Clark, who during the 1970s and '80s pioneered a kind of analysis that rejected old-school connoisseurship in favor of art in the context of social and political affairs, has lately written a book about devoting several months of his time to looking intently at two paintings by Poussin.