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Every one of these women's stories could be a novel on its own; every one has a complexity and scope that keeps readers turning page after page.
There is even one chapter that consists of little but a series of I.R.S. workers turning page after page after page.
Think of the reader who, in 1853, was the first to crack "Bartleby, the Scrivener," turning page after page, flipping back, then ahead, then back again, hoping for some insight into that pallid Wall Street copyist.
The book keeps you turning page after page, desperate to find out the truth behind each lie uncovered, and desperate to understand more about a child's mind plagued by autism.
Here, it was the experience of turning page after page of stark monochrome images, like a survivor coming face to face with the evidence and ruins of the nuclear bombing of Hiroshima.
The book was wide opened and he was focused intently, turning page after page.
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Turning pages, I'm practically Steve McQueen.
Turning pages back from digital grave shock!
Dead or alive, you keep turning pages.
An entire chapter consists of them turning pages.
But it does keep the reader anxiously turning pages.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com