Sentence examples for tumble free from inspiring English sources

"…let hollow yellow teeth snap and fall from your grim shattered jaw and your bleeding tongue be splayed in slices, your eyes pricked clean from their sockets with the tip of a shepherd's short knife, sockets cleaned by the delicate sip sip sip of a bottlefly, your cheeks come stinking sunken sumps of scum and weep, your guts tumble free from your belly, purple-ripe with pain and shit…".

The ice cream man done it, he announces on tumbling free.

The Jackson hit "Human Nature" opens the record, a Sun Ra homage called "One for Blount" ends it, and "Autoscopy," a tumbling free piece, comes right in the middle.

Excitation of the fluorophore by polarised light enables it to emit polarised light of a different wavelength, but if the molecule is tumbling free in solution the emitted light radiates in different directions and the light signal is scrambled rather than polarised.

It was an audacious book - formally adventurous, erratically punctuated and written in a kind of tumbling free-verse that turned the opening pages into an onomatopoeic riot: "manhole covers clack-clacking like cast iron castanets"; "babies waa waa-ing in darkened wards".

Meanwhile, commentators like Caleb Bond print editorials about whether Cottrell's views should be heard out as part of the rough and tumble of free speech in a democratic society.

It could argue plausibly that a business that relentlessly prodded computer makers to build systems around its software, turning other companies' products into also-rans, was actively competing in a rough-and-tumble free market -- and not, as the government charged, dominating and monopolizing that market.

Tumbled free by an earthquake, you begin to explore the castle, with its crumbled walkways, mysterious switches, movable boxes and climbable chains.

I let go to tumble and free-fall.

(Chinen) Joe McPhee's Trio X / Andrew Cyrille, Elliott Sharp, Richard Teitelbaum (Thursday) Trio X, led by the saxophonist Joe McPhee, is a rough-and-tumble free-jazz trio, sharpened by experience and mutual conviction.

In "After This," she is back to realism, but her language has changed — it tumbles out, freer, more elliptical — and so has her treatment of time.