'trier' is a correct and usable word in written English.
It is a noun meaning one who tries or makes an effort to do something. Example sentence: The trier of fact will consider the evidence before making a decision.
If, as Wigmore contends, evidence must have a plus value to make it legally relevant, the court has to consider the probative value of the evidence and to weigh it against the amount of time and expense likely to be incurred in receiving the evidence, the availability of other evidence, the risk of the evidence misleading or confusing the trier of fact and so forth.
In reaching the verdict, the trier of fact has to assess the probative value of the individual items of evidence which have been received at the trial.
(The fact-finder is the person or body responsible for ascertaining where the truth lies on disputed questions of fact and in whom the power to decide on the verdict vests. The fact-finder is also called "trier of fact" or "judge of fact". Fact-finding is the task of the jury or, for certain types of cases and in countries without a jury system, the judge).
One suggested mitigation of this criticism is to place some demand on the epistemic effort that the trier of fact must take (for example, by being sufficiently diligent and thorough) in constructing the set of hypotheses from which the best is to be chosen (Amaya 2009: 155).
According to Axel Schmidt, professor of Mittelstand economics at the University of Trier, many firms restructured during the German recession of 1993, shaving production-line flab and flattening management.
In Trier it is not the city or its Roman ruins that attracts the tourists.
The characters are ciphers, and Von Trier veers wildly between the visual beauty of his early films and the digital blur of his recent work, while Handel blasts majestically on the soundtrack.
Trademark von Trier, one might say, harping on a weird waif's woes: but made idiotically pretentious by dim, tuneless, ineptly staged song-and-dance interludes, supposedly the girl's fantasies, and allegedly inspired by Jacques Demy's "Les demoiselles de Rochefort".After this long-expected aberration, the jury, like the festival, went east.
While Jean-Luc Godard makes a film to explore what he calls an "abstract feeling", Lars Von Trier takes spontaneity to extremes with "Dogme 95", a film manifesto calling for the elimination of artifice: no special effects or dramatic lighting.The directors' idiosyncrasies shine through Mr Tirard's book without swamping the reader with too many points of view.
Add to this a chancellor noted more for caution than for vision and a novice atop the foreign ministry eager to score political points, and you have a recipe for disarray.The problem is not that Germany has made a strategic decision to downgrade its commitment to old alliances, argues Hanns Maull, a political scientist at the University of Trier.
Denmark's Lars Von Trier, whose "Dancer in the Dark" won the Golden Palm three years ago, said Americans had criticised him for making a film about the United States without having been there.
