If you want to use a different relative pronoun, try "whose".
This may not be true of Lars von Trier, whose movie seems to reference, in its song-and-dance sequences, Soviet films as much as American ones.
Mr. Trier, whose previous feature was the layered, literary psychological drama "Reprise" (also starring Mr. Lie), observes Anders with a mixture of coolness and compassion.
He scored a try with his first touch and later sent Nathan Thomas over for the try whose conversion drew the tie level at 45-all on aggregate.
A film that could use a little less caution is Louder Than Bombs (Soda, 15), a formally refined, emotionally intelligent, yet somehow disappointing foray into English-language film-making for Norwegian Joachim Trier, whose Reprise and Oslo, August 31st throbbed with complex, unresolved feeling.
Warrington had a try disallowed for a knock-on but the hosts did not let it affect them and, with the Leeds defence all at sea, Myler sent free Bridge for his 100th try, whose kick saw the hosts lead 18-0 athehe interval.
Having failed to get through to Paddy Power, I tried William Hill, whose charming press officer laughed heartily when I raised the subject.
It comes with a choice of half a dozen toppings; we tried Gorgonzola, whose potency is elevated to powerhouse status by thick slices of garlic.
Then I tried Junaid, whose number was listed on the initial meetup page, but it has since been disconnected.
These aren't the reflections of a fragile diva wrestling with post-adolescence on her MySpace page, but of a woman whose years have been trying and whose determination to carry on is the narrative engine of her music.
