Sentence examples similar to trick audience from inspiring English sources

Despite the butch veneer, his show is pretty and witty, with bronze peeking through the paint and four "trick" audience-participation paintings in the back gallery.

My fantasy is a rhetorical trick, but then the debate turns on whether Daisey had the right to trick audiences.

With a nod to the manipulation in play, judges often remarked on the "believability" of a given performer, saying things like "You are now the pop singer" or "I'm not buying it," as if the challenge were to shove raw talent into various arbitrary styles and trick audiences into experiencing it as authentic.

Recent libel actions include significant damages to Harry Potter author JK Rowling in May after the Mail said she had recounted a misleading "sob story" for a charity article, and a £125,000 payout last year to Sally Morgan, a TV and theatre psychic which the title falsely accused of using a hidden earpiece to trick audiences.

There are no such saving conventions in television and film, which relentlessly try to create a fake reality in every way possible, with computer-generated imagery, to say nothing of the claims about a "true story", all to trick audiences into a belief that what they are seeing is the real thing.

"When you're designing interactive theater experiences you learn lots of ways to trick audiences into believing or feeling things.

Whether you know it as the Canadian Hollywood, or the butt of jokes about it being the Canadian Hollywood, Vancouver, B.C. is one of the most prolific chameleons in the movie biz, tricking audiences into thinking it's New York, Chicago, Gotham, Tokyo, Pyongyang, or Absolutely Nowhere, U.S. A

"In a normal magic show, you're in a theater, someone onstage does a trick, the audience applauds like this," Blaine says as he mimes a weak response, and then he shrugs.

Although the acrobat fell noiselessly into a safe tumble, dusted himself off and prepared for his next trick, the audience's sudden apprehension was an immediate and palpable presence.

The film relies entirely on atmosphere, irony and old-school patois to trick the audience into thinking it's original, but the plot is wearily predictable, the violence fatiguing, the lingo lunkheaded.

Inferior matadors will slide their feet back as the animal nears and try to trick the audience by leaning into the bull after the animal's horns have passed, making it look as though they are closer to the bull than they really are.