Sentence examples for treescape from inspiring English sources

Up here, swaying a nerve-jangling 52m above the forest floor, we watch scarlet macaws, channel-billed toucans and swallow-tailed kites commuting over the undulating treescape, while screaming pihas add their hidden shrieks to the chorus below.

These exotics are the ones, to borrow from White, that give our treescape its "high-strung disposition [and] its poetical deportment," if not "its dedication to the arts, and its incomparable achievements".

Still, the storm was kinder to the city's treescape than a tornado last September that buzzed through a narrow corridor on Staten Island and in Brooklyn and Queens and took out 4,000 trees in 15 minutes, Mr. Benepe said.

While Ashton's ballet evokes the late-Georgian or early-Victorian epoch of Mendelssohn's music, the Met production also recalls the great Victorian tradition of fairy painting, in which a treescape is magically irradiated by a mystical presence.

Of course, it ought to go to the Tate to join Bigger Trees Near Warter, the Hockney treescape he has so generously donated.

"With climate change and the globalisation of pests and diseases, London is a bit more vulnerable than somewhere with a more diverse treescape," says Rogers.

It is a simple design, a red facing wall appearing out of the treescape like a work of abstract art.

Olmsted and Vaux haunt the proceedings via walls, walkways, treescapes.

They welded these traditions with the endless possibilities of a technology to create a liberating electric landscape, a place equally science fiction and pastoral with houses dissolving into treescapes, and inhabitants that could live a life of leisure in the new post-industrial future.

There are plenty of precedents in photography, too, first in Eugene Atget's treescapes of the 1920's, astonishing dances of leaves and branches filling the frame, and more recently in Lee Friedlander's landscapes (themselves probably influenced by Atget), a series that began somewhat earlier than Mr. Metzker's.

I found Alice E. Momm's tree side objects, which comprise "The Root Dwellers Return" (2004), with its fairy town bridges, ladders, huts and haunts; and Karl R. Unnasch's "Domestic Disturbances" (2004), which features a white kitchen stove with little treescapes inside pots, pans and salt and pepper shakers, to be amazingly simple, yet outstanding.