Sentence examples for treats objects from inspiring English sources

Matthew Darbyshire treats objects from the present – some kitschy furnishings such as pink egg chairs, based on the designs of Arne Jacobsen, sequinned Union Jack cushions and comedy bookends – as though they were able to show us some intrinsic truths.

A Harvard historian treats objects -- spinning wheels, yarn winders -- as documents that speak as loud as writing to the real cultural history of an era that has often been construed as a pastoral age of simplicity, harmony and self-sufficient household production.

A few subtle differences did emerge between the original script and the version everyone knows and loves; at one point the Dude lets a sheriff know that Jackie Treehorn "treats women like objects", rather than Bridges' improv zinger (that he "treats objects like women").

He states in disappointment of how the nature of the porno enterprise market has fallen from erotic romantic buildups and "the brain" to purely raunchy sexual material, but the Dude describes him as a man who treats objects like women.

It was a structural view of space, and it treated objects as an afterthought.

This technique possesses the capability of treating objects with irregular shape, and it is also a clean process.

And a new form appeared, the kajŏn, or fictional biography, which treated objects as people and told their life stories.

The film hints, but only as an aside, that money corrupts; leaving The Dude to fight a lone battle against men who "treat objects like women".

The result is, among other things, an exemplary response to a longstanding historians' challenge -- to treat objects, no less than writings, as documents that speak to us from and about the past.

It was an "epistemology-soaked orgy," Einstein wrote, treating objects in the real world as mere puffs of possibility — both there and not there, or, in the case of Schrödinger's famous imaginary cat, both alive and dead.

That effect, computer science experts said, stems from what appears to be a basic human reflex to treat objects that respond to their surroundings as alive, even when we know perfectly well that they are not.