"transgress boundaries" is correct and usable in written English.
It is typically used to refer to going beyond set limits or rules, often in a way that is seen as wrong. For example: "The students were warned not to transgress boundaries while exploring the old estate, as the owners were wary of trespassers."
This work is an attempt to transgress boundaries in various ways, since boundaries differentiate social identities, literary genres, legal practices, or diasporas and homelands.
President Eisgruber '83 termed Big Sean's lyrics "vile and demeaning to women and LGBT individuals" but said performances "inevitably transgress boundaries" in a statement that addressed the debate and another performance that sparked heated campus discussion, by the student group Urban Congo.
If gender isn't binary, if it is fluid and can transgress boundaries, than a binary between cisgender and transgender cannot exist.
It is the remaining tumor cells as well as their ability to transgress boundaries that have to be hindered since they determine the long-term survival.
Science wrenches phenomena out of their specific contexts, makes parts meaningful independently of wholes, and recombines segments in ways that transgress boundaries fixed by law, custom, tradition or institutional practice.
Also, studies by van der Geest (1998, 2007, 2008), Stallybrass and White (1986), Laporte (2000), Enzensberger (1972) and Miller (1997) offer useful theoretical perspectives on dirt and 'disgust'; especially regarding bodily substances that transgress boundaries in relation to social morality, inequality and taboo.
Knight enjoys transgressing boundaries – past, present, and future.
The popularity of the Amritsar-born writer, who migrated to Pakistan after partition, transgressed boundaries in the subcontinent, and so did his writing.
The person evolves into a persona, then a brand, then an empire, with the business imperative of grow or die — a process of expansion and commodification that transgresses boundaries by substituting celebrity for institutions.
The play has only four characters: Sister Aloysius; the young idealistic Sister James; Father Flynn, the forward-looking priest suspected of transgressing boundaries with an altar boy; and the boy's mother.
What's most memorable is the sense of a mischievous, restlessly modern, subversively female spirit haunting the museum, transgressing boundaries, tweaking the furniture and teasing into surprised wakefulness the too-often musty patriarchal house of art.
