Sentence examples for training of actors from inspiring English sources

The training of actors in the Western theatre has since become more organized to take in concepts and programs from the earlier innovators.

Herman Teirlinck was particularly important in the revitalization of the Flemish theatre, and he raised the standards of both playwriting and, by his interest in the training of actors, performance.

Only some will become famous – James moved into the training of actors at Lamda and the success of the drama school in getting students into work must be partly due to him.

After decades of using psychological concepts as part of his holistic training of actors, his near-death experience deepened Cole's interest in the inner self, which he connected to a variety of subsequent theatrical pursuits in later life.

The company, almost twenty years old, has a long-standing commitment to education, in particular to the professional training of actors and to teaching theater in elementary, middle, and high schools.

But Edward Kemp, the director of the Royal Academy for Dramatic Art (Rada), insisted that formal training is essential: "If Paul Roseby wishes to defend the arts from being seen as 'soft skills', it is strange that he chooses to attack precisely the institutions which have spent many decades bringing rigour and expertise to the training of actors and theatre technicians".

Aleksandr Tairov used abstract settings of Cubist design and took the training of his actors so far as to posit the idea of the actor-dancer.

They'll all be eroded by the decision to leech the humanities from our universities, by Arts Council cuts and by the depletion of the training of musicians, actors and artists.

In that sense, the over-all question that Jackson poses about the supposed differences between the training of American actors and British ones gets to the heart of the cinema, to the difference between acting and being.

At the suggestion of friends, Eastwood sat in on evening classes, taught by a disciple of Michael Chekhov, the acting guru, and in 1954 he came to the notice of Universal Studios, which still had a "school" devoted to the training of young actors.

Among his responsibilities were managing a storied, 55-year-old institution with 1,000 employees and a $60 million budget, overseeing a seven-month season of 16 productions playing in repertory and running a conservatory dedicated to the classical training of young actors.