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Jerusalem, then, is essentially a late romance, despite its dalliances with comedy, history, and the tragic: it sets up a perfectly adequate Arthur Millendingle ending but refuses to rest there, instead continuing to pile up epiphanies and reversals over nearly three hours.
"Leftover women, don't be tragic," it said.
Not only is this tragic, it is profoundly disrespectful.
You have to acknowledge how tragic it is".
But while the cycle is tragic, it is not inescapable.
"Yes, it was tragic, it was a terrible thing.
If it weren't so tragic, it might be farce.
No incident is too tragic, it seems, for political point-scoring.
If it wasn't so tragic, it would be worth laughing at".
For Diarra, the Paris attack wasn't just tragic; it was also ironic.
Now we in Spain know how tragic it all can be.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com