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Mines have a long history of human tragedy: those killed in the Trimdon Grange Explosion, and the Hattonrigg Pit Disaster, 1910 are remembered by Alan Price and De Rosa respectively.
One answer is that this is easier said than done in a sport whose rising stars win so often in childhood and youth and enter the senior circuit as fully formed "characters," rather like the protagonists in classical tragedy, those heroes burdened with the flaw that is inseparable from their strength.
The questions of the day are "How do we save the planet from the climate crisis?" and "What do we do about misogyny, racial profiling and police violence, and homophobic laws?" and "How do we check mass surveillance and the widening power of the state?" and "How do we bring down autocratic, human-rights-abusing regimes without leaving behind chaos and tragedy?" Those are the questions.
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The world is a comedy to those that think, a tragedy to those that feel.
Every death is a tragedy for those most closely involved, but when those engaged in trying to save those lives each day forget that, they risk losing their better self.
But then life is, after all, a comedy to those who think and a tragedy to those who feel, to borrow from Horace Walpole.
Walpole famously declared: that "the world is a tragedy to those who feel, but a comedy to those who think".
His death is a personal tragedy for those of us who knew him and a major loss for those whose suffering he gave voice to.
The result remains the same: a tragedy for those who died, their friends and families, and a great loss for those they were trying to help – the dispossessed of Afghanistan.
The Ayotzinapa tragedy made those chains starkly clear.
But her family's tragedy undermined those newfound ambitions.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com