Sentence examples for traditionally conceived of from inspiring English sources

It is exactly for this reason that perspective taking has been traditionally conceived of as a mechanism of empathy.

But, as Boundless CEO Ariel Diaz told Inside Higher Ed, Ingram's acquisition of CourseSmart could signal an important step away from the way we have traditionally conceived of textbooks — as the print or digitized "container" for academic materials — into something totally different.

Despite what is traditionally conceived of as progress, for example, economic growth, material productivity, etc, countries are now tracking other indicators of social progress and the level of their responses to local and global challenges, for example, poverty, violence, corruption and sustainability.

Whereas reflection was traditionally conceived of as a strictly individual process, ideas are shifting towards conceptualising it as a process facilitated by social interaction [ 4, 45].

The fourth wall is a metaphor designating "the space separating the audience from the action of a theatrical performance, traditionally conceived of as an imaginary wall completing the enclosure of the stage" [ 3].

What we traditionally conceive of as "the public" is in retreat: public services are at the mercy of austerity policies, public housing is being sold off and public space is increasingly no such thing.

Memorials traditionally conceive of human life as distinct from material and living ecologies, rarely commemorating the deaths of non-humans.

But the nice joke of the book is that Frank is the traditionally conceived "woman" of the house: he is hysterical, preening, an effeminate masquerader checking in mirrors the proper impact of his face, a parlor soldier.

For practical reasons, meeting participant Michael Selgelid of Monash University, Clayton, in Australia says it makes the most sense to offer the vaccine to the "traditionally conceived" notion of a health care worker.

Because creative process tends to be given more weight than physical material, and because art should be about intellectual inquiry and reflection rather than beauty and aesthetic pleasure (as traditionally conceived), the identity of the work of art is said to lie in the idea at the heart of the piece in question.

The strengths of the study include the collection of pre-injury information, large sample size, inclusion of traditionally conceived 'less severe' non-hospitalised injuries and the collection and combined multivariable examination of a wide range of potential determinants of work status.