Tone Capone was more than happy to dissect the revised track, noting some low-frequency oscillation on the bells and plucked strings.
Professor Daniel P. Schrag told his Radcliffe audience that warm water played a big part in Sandy's track, noting that the cool mid-Atlantic water typically would have sapped the hurricane's energy.
Picolli praised the song as the album's best track, noting: "a dizzy Vegas showstopper... that scoots along on Aguilera's high-flying harmonies and a defiant chorus".
McCartney confirms the existence of the drawing and Carroll's influence on the track, noting that although the title's apparent drug reference was unintentional, the lyrics were purposefully written for a psychedelic song.
As with his previous collaborations with Bryan Singer on The Usual Suspects, Superman Returns and X2, editor and composer John Ottman edited the film without a temp track, noting if the film was working well without music, it was becoming a strong product.
Focusing on live instrumentation, she collaborated with Grammy award-winning violinist Davide Rossi and pianist Christoforo La Barbera on the track, noting in the accompanying press release, "I wanted to return to an older way of making disco and dance music".
