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There are worse problems for a writer to have -- too much language, too much literature.
It is not that we have too much language, but that (and in this Goldsmith might agree) we exhibit too much possessiveness over language.
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Don't clog up your speech with too much extra language.
You're clearly hiding behind claims of finding too much "inappropriate language" in my book, when other books on the list certainly include the exact same kinds of language, in some instances, in abundance.
Far too much raw language for network prime time, but sex, gore and nudity are well within broadcast bounds.
Here, in two sentences, we see something like what Tolstoy, in "Anna Karenina" 's famous harvesting scene, did for Levin: too much — the language is incantatory, pushy, even — and also just enough, enough to bang us on the head and say, "I really mean this".
Too much flowery language overloads the senses and ends up diluting the message and obscuring the messenger.
Bridges, in 1895, declared that the poem was the best of Keats's odes but he thought that the poem contained too much artificial language.
To me, too much technical language or too many dazzling psychological pronouncements can be an indication of therapists stroking their own egos.
Don't use too much foul language.
Unless it's required, try not to use too much scientific language.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com