Sentence examples for tones and patterns from inspiring English sources
Punchy tones and patterns give the photos a kind of levity, in spite of the (wonderfully) butter-heavy, cloying sweetness of the food itself.
The principle, explains Hampton, is not unlike that of fashion, where bold tones and patterns can help cancel out one another.
The Kaossilator offers 100 preloaded tones and patterns — from crazy electronica to lead trumpet to drum sounds — each of which is manipulated via touchpad.
Back in early spring, early light dappled through nascent pale-green papery foliage on to sere dun pine straw and muted tones and patterns from a Wallander palette.
Though the bassist, Aakaash Israni, the drummer, Qasim Naqvi, and the pianist, Amino Belyamani, play acoustic instruments that look like the tools of a jazz ensemble, the band's music summons the repetitive tones and patterns of electronic music.
Here's the thing: you can tailor your behavior to a certain degree, but how feminine you are -- or aren't -- has to do with your body language and personal style and speech tone and patterns, and you shouldn't have to change those things for the workplace.
We are all familiar with quilts that anthologise a family's old clothes, or commemorate its story through births or marriages; with quilts as complex pixellations of colour, tone and shape, patterned in jockey's cap or sawtooth star.
Ponti layered tone on tone, and pattern on pattern: the floors are a crazy-quilt assemblage of big marble slabs in various colors; the ceilings are diagonally striped in yellow and white; and the dining room tables are enameled with geometric designs in luscious shades of blue, green, yellow and pink.
While it is fascinating to pore over engravings of 19th-century Russian palaces, I'm mesmerized by the way J.M.W. Turner turned the grand interiors of Petworth, the stately English house, into moody depictions of light and mist or edouard Vuillard's rendering of his family's domestic milieu as a controlled riot of tone and pattern.
Everest's time under Nutter, a Savile Row revolutionary in the 1960s, inspired him to experiment with tone and pattern in his own designs.
The idea of long, augmented tones and faster patterns going over them that are fixed in rhythmic form made a strong impression, and inspired my 1970 piece Four Organs.
