Sentence examples for tone depth from inspiring English sources

Mr. Smith offered this description: "Gum bichromate printing was a risky, time-consuming and labor-intensive process, allowing for the tone, depth, color and even texture -- there is a real grit on the surface of this particular print, at least from what I can recall -- to be manipulated in the darkroom with chemicals and processing for visual effect".

Nomadic Audio Speakase is a fully packed speaker with tone depth to successfully turn up any party.

Scan the document in question for tone, depth, and breadth before absorbing the information in it.

My brother, the best cook in the family and someone who prefers not to mix sentimentality with information, is the kind of cook who would appreciate the smarter tone, multicultural depth and thorough exploration of technique in the 1997 book.

As a colourist, too, Ueda comes close to Saul Leiter's painterly vision – there is the same understanding of tone and depth, of things viewed as if through the transforming gauze of the lens.

Bumps and Crackles There's added strength at the JOHN WEBER GALLERYa few blocks away, where Sol LeWitt and his assistants have layered thin washes of color and tiny grids of pencil lines directly onto the wall, creating big monochrome squares almost as mysterious in tone and depth as Mr. Marden's or Ad Reinhardt's.

However, one noted that some teachers found it uncomfortable when the principal was present; it was felt that when the principal was absent for any length of time, discussions had a different tone and depth.

It's because that specific person's work has a certain tone and depth that someone who doesn't have that perspective on the world wouldn't have. .

Though he did speak with the grandiose politically-tinged language one would expect any president to utilize during a commencement address, his tone and depth of reflection on his own personal narrative conveyed what I'd expect from any successful black male collegian talking to aspiring young brothers.

The painter's tableaus range from drippy monochrome to vibrant, simmering warm tones, establishing depth often where the eye would least expect it.

Whereas Wright's contemporaries might have used the 'disguise' of presenting the sitter in the guise of a classical goddess to protect against accusation of salaciousness, Wright's portrait rather depends on his realism, notably in his flesh tones, and depth.