Sentence examples for to the main line of from inspiring English sources

That grille anchors the flowing shapes of the new car, Mr. de'Silva said, and gives rise to the main line of the car.

Ms. Rosewoman emerged as one of the smarter jazz musicians of the 1980's, with a gradually deepening knowledge of Cuban music; a lot of her large-group music is thick with the rituals of Afro-Cuban religion, whereas her trio, including the bassist Rufus Reid and the drummer Gene Jackson, sticks closer to the main line of American jazz or Latin-jazz piano.

The letter, written by Mitchell H. Pally, vice president for government affairs, said its priorities are the East Side Access project, adding a third track to the main line of the L.I.R.R. and making improvements to Route 347 from Hauppauge to Port Jefferson.

Grischuk's rarely played 8 a3 has the effect of inhibiting the Marshall gambit, yet after 8... de 9 de Nd5 10 Ne5 Ne5 11 Re5 c6 12 d4 Bd6 13 Re1 Qh4 14 g3 Qh3, it is not clear how this is an improvement over 8 c3, which leads to the main line of the Marshall.

Let me return to the main line of exposition.

They eventually forced the Ottoman front line defenders to retire back to the main line of defence, which was also strongly supported by machine guns.

Despite reservations from some high-profile Democrats months ago about attacking Romney's experience in Bain, it continues to be the main line of attack against the GOP contender.

The second line, which was to form the main line of defense after the first one fell back, consisted of Ralph Faulkner's regiment on the left, and John Slaughter's on the right.

Even Huxley (1880) fell prey to this line of thinking when he suggested that the teleost fishes "appear to me to be off the main line of evolution to represent, as it were, side tracks starting from certain points of that line".

My father's swab proved that he was not related to any of the main line of Blencowes, Blincows and Blincoes.

The one good scene — the touchingly sad aftermath of a speed date gone bad — has nothing to do with the main line of action, which stretches ever farther into absurdity without offering any insight into the characters' inner or outer lives.