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As a women's press, even the prescriptive material Seal published was usually story-driven, and in marketing meetings we spent a lot of time thinking about how to categorize something that was essentially a memoir as something else--mostly to offset the perception of how much memoir we were publishing.
When we struggle to categorize something, we like it less.
Human nature makes it hard to categorize something novel and complex.
Lists also appeal to our general tendency to categorize things — in fact, it's hard for us not to categorize something the moment we see it — since they chunk information into short, distinct components.
But when we talk about mental disorders, we start to categorize them away as something else and ignore them.
In the battle to categorize Latinos, something always gets lost in translation.
As for the sound, Lambert says it may be difficult to categorize, but that complexity is something she's embracing.
One of the main ways to make something more memorable and more retrievable is to categorize it in manifold ways.
According to journalist Tony Fletcher, Marquee Moon was difficult to categorize upon its release and was instead hailed as "something entirely original, a new dawn in rock music".
The more we like something, the more we like to categorize it.
This is something that distinguishes late 1960s work from earlier efforts to categorize self-mutilation.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.
Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com