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Les had ingeniously modified it to allow for overdubbing.
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Spector then returned to oversee conversion of the 8-track recordings to 16-track masters, a process that allowed for more freedom when overdubbing new instruments.
Once Spector had returned to London, later in August, he and Harrison worked at Trident Studios, overseeing remixes as the recordings were transferred from 8- to 16-track tape – a process that allowed for greater flexibility when overdubbing further instruments and vocal parts.
They used rudimentary tape recorders at first, eventually acquiring professional equipment that allowed for studio tricks like overdubbing and slapback echo, which led to stranger, deeper sounds.
The musicians recorded ten takes, the last of which was selected for overdubbing.
The songs were recorded on analog tape which was reused over and over due to a tape shortage and a desire to save money before being transferred to Pro Tools for overdubs, editing and mixing.
Anodyne was the only Uncle Tupelo album to completely lack overdubbing.
"So Here We Are" is the only track on the album to not include vocal overdubbing.
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