The classical aesthetics dimension pertains to aesthetic notions that presided from antiquity until the 18th century.
Dewey insists on not limiting aesthetics to art, or artistic to aesthetic value.
It follows that existentialist aesthetics and the phenomenological approach to aesthetic perception and judgement (Ingarden 1962, 1965) are two closely related areas.
Other non-cognitive positions in environmental aesthetics contend that dimensions other than engagement are central to aesthetic experience.
Copying was the royal road to aesthetic perfection.
There is more to aesthetic rebellion than offends the eye.
Price in turn lends credence to aesthetic valuations.
Arthur Schopenhauer's contribution to aesthetic philosophy informed both men's work.
Vittorino's educational policy spoke at once to mind and body, to aesthetic enjoyment and moral virtue.
In important ways, the computer artist works in a milieu hostile to aesthetic concerns.
The term is used with special (but not exclusive) reference to aesthetic experience.
