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Take the title story.
The title story sets the tone.
Such is the case in the title story.
My title story has the form of a debate.
(The title story ran in The New Yorker in 2011).
The title story juxtaposes two aspiring starlets from 1940s Los Angeles.
There are echoes of Dahl, too, in the title story.
I first read the title story in college.
The title story in the new collection is vintage Shepard.
The final, title, story delivers something else again.
The title story, which deserves to be the title story, is another elegy for a dead sister.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com