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Simon Killer, his follow-up to Afterschool, bears some of the hallmarks: technical excellence, a creeping tide of dread and the unreliable perspective of the protagonist – a device that made Elizabeth Olsen's title character in Martha so unknowable.
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Everything here is so clumsily handled that the creepy sensation of dread that infuses the early moments is quickly washed away on a tide of space slime and wearying exposition.
Kind of dread this.
No real sense of dread.
It was the Hand of Dread.
It's full of dread.
He felt an overwhelming sense of dread.
But a sense of dread pervades them.
I feel a familiar sense of dread.
You kind of dread going to school".
The sense of dread left me.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com