'thunderclap' is a correct and usable word in written English.
You can use the word 'thunderclap' to refer to a loud clap of thunder. Example sentence: During the thunderstorm, we heard a loud thunderclap.
In the UK, the protest was launched at 11 30 with a thunderclap, a mass call on social media for wider opposition to spying.
The listener perceives these waves as sound.In this section Can the can Cleanliness is next to godlessness Nanotunes Breathe in deeply, please Reprints Related items Nanotechnology: Silver tonguesApr 17th 2008Nanotubes produce sound by a different mechanism, known as the "thermoacoustic effect", which is also responsible for the thunderclap that follows a burst of lightning.
Awoken by a thunderclap in the middle of the night, Jake recalls: "I knew I would not be able to get back to sleep.
In the setting of a spontaneous subarachnoid hemorrhage, the hallmark symptom is known as the "thunderclap headache".
Their films looked more radical in 1960 than they do today, but, even so, Godard's Breathless, his widely hailed rejection of standard cinematic storytelling, came like a thunderclap announcing a storm to sweep away conventional ways of looking at movies.
It began with a thunderclap: "In a few years, men will be able to communicate more effectively through a machine than face to face".
Westwood was politely celebrated for his enduring ambition here these last few days – right up to the moment he delivered the eagle that landed with the force of a thunderclap.
Ben Slinger, 28, a warehouse supervisor, said: "There was an explosion directly overhead, like a thunderclap.
The train's 50ft-long "kingfisher" nose helped overcome the problem of noise pollution – previously as the high speed train drove through tunnels, air pressure had built up in waves and when the nose emerged, it produced a thunderclap heard for a quarter of a mile.
It's long been conventional to regard the gap between the fading of rock'n'roll's 1950s thunderclap and the first landing of the British Invasion in 1964 as a sort of taste vacuum in pop.
These are precariously calculated compositions, that, as the critic David Sylvester wrote, can "move with the force of a thunderclap or the delicacy of a cat".
