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The pass is Barcelona's identity; it is through possession that they feel comfortable and it is through possession that they do everything – from creating chances to preventing them, from speeding up the game to slowing it down.
Teams may succeed in reducing Spain's chances but they reduce their own; Spain's ability to protect through possession becomes greater.
Articulated women are always located within a non-existent liminal space between ostensible object and ostensible subject, a focus of textual desire both through possession and through identification.
These require the user to prove his or her identity in other ways, such as through possession of a card or through characteristics and features unique to that person.
The legendary scene midway through "Possession" (1981), the lone cine Zulawskienne example released in the United States, has Isabelle Adjani flinging herself against the walls of a dank West Berlin underpass while hemorrhaging fluids from every orifice.
It was the game we all love with intuitive brilliance taken out, Mulder observed: football by numbers, you might say, in which players are cogs in a football machine intent on control through possession.
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For two hours, the families took it all in, went through possessions and retrieved pictures of children and keepsakes like baby blankets.
In an essay about Carmelo Anthony, the star is described as "a gigantic basketball nerd" who "works through possessions like logic puzzles".
That provision may have been used by federal agents to rummage through possessions of Brandon Mayfield, the lawyer from the Portland, Ore., area suspected and later cleared of a connection to the bombings in Madrid earlier this year, said his lawyer, Steven T. Wax.
Picking through possessions, dividing them fairly and discerning what has monetary value and what does not can be a mammoth job, especially if it's done under duress or during a time of grieving.
In Agnieszka Holland's wrenching new film, "In Darkness," based on a true story, a Polish Catholic sewer worker named Leopold Socha Robert Wieckiewiczz) and his younger sidekick, Szczepek (Krzysztof Skonieczny), discover a way of supplementing their income: they loot abandoned houses and sort through possessions dumped into the street; they store the goods in the city's sewers.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com