Sentence examples for through juxtaposition from inspiring English sources

The Carson method involves a kind of mashup of old and new; she proceeds through juxtaposition rather than metaphor-making.

Sometimes, he does this through juxtaposition, evoking, in quick succession, a slightly more cynical version of Whitman's multitudes.

The true meaning of a famous work can be recovered only through juxtaposition with this long obscure historical moment or artifact.

While these items are fascinating on their own, it is Mellins's interest in finding meaning through juxtaposition that is so thought-provoking.

She has made her mark by combining the elements of good old-­fashioned drama — love affairs in the shadows, the reappearance of long-lost relatives, hidden wives — with a modern lightness of touch in language and a deft freedom in moving her narratives forward through juxtaposition rather than linear plotting.

In her later work, "she really kind of dropped that aspect of her poetry," Bonnie Costello, a professor of English at Boston University, told me, "that sense of creating a poem as pastiche, irony and satire through juxtaposition, radical shifts, disjunctions, letting the thing sink in its own weight against whatever else is going on".

In the other three, the context is provided through juxtapositions of Bach's music and that of others.

In each instance the structural outline was harmonically determined through juxtapositions of principal key areas acting as focal centres of tonality.

Kleinzahler organizes many poems by simple accretion, detail following detail, as if any argument or story would imply an attempt to deceive: he therefore makes most points through juxtapositions.

O'Brien is primarily an observer rather than a debater, and the poems here are heavy on isolated images, dream logic, bits of overheard conversation (typically urban conversation) and memories, with larger themes emerging through juxtapositions and repetitions.

Ms. Kudo was joined by Ms. Cuckson, Mr. Beck and the violist Jessica Meyer for Mr. Boyce's Piano Quartet No. 1 (2008), in which slowly shifting string textures led to more violent passages, working themselves out through juxtapositions of restless rhythms and more lyrical gestures.