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Artists who could not visit Fontainebleau knew of the work there through engravings, and these same engravings are useful today as records of what has been lost.
Most people, though, would know her visage from the profile stamped on coins and through engravings and wooden panel paintings sold in markets.
The accessibility of the sculpture of antiquity, in museums and private houses and also through engravings and plaster casts, had a far-reaching formative influence on 18th-century painting and sculpture.
Yet he reached a wide audience both through his regular participation at the Salon, and through engravings of his works, executed by some of the finest masters of that art.
New York Public Library: '100 Years of Flamenco in New York' (Monday and through Aug. 3) This exhibition traces the popularity of the dance form in the city, from the mid-1800s thethe present, through engravings and photographs, printed materials, costume pieces and films and recordings.
New York Public Library for the Performing Arts: '100 Years of Flamenco in New York' (Friday and Saturday) These are the last two days to view this exhibition that traces the popularity of the dance form in the city, from the mid-1800s thethe present, through engravings and photographs, printed materials, costume pieces and films and recordings.
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After his return from Italy in 1509, he continued to study Italian art through the engravings of Marcantonio Raimondi and Jacopo de Barbarii.
The monument was preserved through incorporation into a convent (in which the English poet Lord Byron had a study) and influenced British Georgian and Regency architecture through the engravings of the Edinburgh artist "Athenian" Stuart.
Whether by visit or through studying engravings, he knew several notable French houses including Vaux-le-Vicomte Vaux-le-Vicomte Vaux-le-Vicomtee Blérancourthe land the work of FrenChateauitect François Mansart.
After settling in London, Morland soon abandoned portraiture for sentimental rustic genre, which, through Ward's engravings, satisfied a steady public demand for the picturesque.
Thus, the dramatic movement of the figure carries the total design of his first mural, the Battle of Cascina (c. 1504) for the Palazzo Vecchio of Florence (lost but known through drawings and engravings).
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