Within a few paces, though, the exhibition appears to be following a different trail.
In many ways, though, the exhibition feels in search of a legitimate center, a justification — beyond icon-mongering — to spend so much time looking at pretty faces.
In the virtual realm of Panther, though, the exhibition can be explored and viewed from a variety of angles that couldn't be experienced at a physical gallery.
It's not all doom and gloom, though; the exhibition's soundtrack, curated by artist and DJ Jacquelyn Carmen Guerrero, a.k.a., CQQCHIFRUIT, is testament to that.
Though exhibitions rotate through five gallery spaces, the permanent art is the most impressive — frescoes of pueblo life by one of Mexico's finest muralists, David Siqueiros.
The exhibition, though, wildly overdoes it.
In the context of the exhibition, though, the attention seems disproportionate.
In the new exhibition, though, Mr. Pruitt might be starting to show his hand.
The most quietly powerful image in the whole exhibition, though, is nothing more than a shadow.
Most emblematic of the exhibition, though, is a small illumination from a "Romance of the Rose": a tiny Narcissus, stooped over his reflection.
