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If we say we can't afford this work, maybe what we are really saying is that we cannot afford to share beauty with our children.
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There are long moments in Rob List's "Play by Ear" where you could imagine an alternate title for this 70-minute work, maybe something along the lines of "Still Life: Man With Radiators".
If this doesn't work, maybe we should hire someone who can convince Aol to do something … Paging Michael Birch?
If that explanation doesn't work, maybe this one will: This track sounds like the heaviest Swedish House Mafia track if it railed creatine for every meal.
I'm not sure how this is supposed to work; maybe the idea is for everyone to run a large trade surplus, at the same time.
This is a beautiful work, maybe the best here, exhibiting a sense of dynamic movement and balance that looks easy but in fact is one of the hardest things to achieve in sculpture on this scale.
In Germany you get the grief from your work, maybe, but this strict enforcement of boundaries does allow you to have a family life.
If this sounds too simple to work, maybe you are too comfortable being uncomfortable.
Not only do we need to do this work, but maybe we need to get better at letting people know about it.
Seeing as you're in a position of power and privilege (meaning you don't have to deal with the shit that we do), I would hope that you could tread a little lighter when walking amongst the landmines of language littered throughout the queer community, and that you'd always be on the lookout for nuance and be ready to say "I don't get it" and "How does this work?" and maybe even "Oh no!
Another enormous book is in the works, maybe another film.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com