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One wonders if the company slogan – "simply moving" – was inspired by this very scene.
I once bought a woodcut by John Nash because it illustrated this very scene, complete with half-curtained window supported by wittily phallic stanchion.
But the Flop House and ILBM teams have collaborated on a series of bad movie screenings at the 92Y Tribeca repertory cinema in Manhattan which concluded with this very scene.
As it happened, the Met had already posted on YouTube a video of this very scene (recorded during rehearsals), so I now know what I was supposed to have seen -- Voigt at the top of the mountain, Terfel (in fine voice throughout the evening) admiring her from below.
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It already has the much-respected former BBC radio presenter and DJ Zane Lowe who is known to be working hard behind the scenes on this very aspect.
Actually, the scene where there is interaction between the actors, and they have this nice scene, this very dark scene where Alise comes to visit Chloé, and she's trying to open the window and they get smaller and smaller.
I feel lucky sitting here writing, looking onto this very London scene.
Dreamily, I imagine my future self: a year older, strolling to class past this very same scene.
I've long thought of Spielberg as the director without an id; in this very brief scene of real danger, he gives a hint of what's at stake in keeping dreams safely within limits.
Take this very specific scene in a small country in Europe in the 1980s.
I was reading an interview with Kristin Wiig where she was talking about this latest movie of hers which is largely dramatic, and playing this very poignant scene and an audience laughed at it at a screening, which had her thinking, "Did they just expect me to be funny?" Is that a concern?
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com