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This text consists of twenty-four definitiofs of God, the most famous of which is, "God is an infinite sphere whose center is everywhere and whose circumference is nowhere," quoted by Alan of Lille, Meister Eckhart and others (Hudry 1997).
This text consists for the most part of a series of short discussions of pairs of standardly opposed moral properties, e.g., the good and the bad, the just and the unjust, the most general pattern being a series of arguments to show on the one hand that the opposed properties are in fact identical, followed by a series to show that on the other they are non-identical.
The entirety of this text consists of an image of a single handwritten letter dated from 1951 and signed "To Daddy" and "From Mary Jo," presumably the author as a young girl.
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Called "Beach," the text consists of a single long sentence, whose opening words are, "I gave up heroin and went back to my town and started on the methadone treatment administered me at the clinic....".
The ecstatic choruses, representing the chatter of the Internet — in which the text consists of any random phone numbers that the singers think of — come directly out of the language games of "Mothertongue".
Another question it now becomes possible to ask is: How much of the text consists of named entities and dates?
Much of the text consists in practical advice, maxims and anecdotes that one may bear in mind when one finds oneself affected by sorrow.
We can now answer questions such as: How much of the text consists of NEs? How many NEs are there on average per text?
Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc".
The general structure of the text consists of a bullet-point format, highlighted text boxes emphasising 'key facts', 'future possibilities' and a summary at the end of every chapter.
The figures embedded in the text consist of either low-resolution black-and-white photographs or hand-drawn images, which were legible but not particularly artistic -- a sharp contrast to the book's brilliant cover art, which is the most attractive nonfiction book cover I've seen in recent years (see video below to learn how this cover was created).
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com