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This sort of writing just doesn't interest me.
Outrageous, courageous, moving, ironic and true — this sort of writing shows the book at its best.
There's been a broader shift in attitudes about this sort of writing, which always endured plenty of vitriol.
"The public's appetite for this sort of writing is proved by the success of retrospective magazines like Mojo, Uncut, Goldmine and Record Collector," adds Hoskyns.
Until DBC Pierre, this sort of writing has been eschewed by many for a more workmanlike prose: the bricks and mortar of realism.
First, isn't this sort of writing a hazard (or virtue, depending on your point of view) of many ambitious twentieth-century novels?
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"It turned out that this was the sort of writing I could do," he says.
Gay found recognition as an online critic and commentator, and maybe this is the sort of writing that the online environment has come to foster: unapologetically raw and informal, but also paranoid, constantly arming itself for the comments section by pre-empting disagreement.
This is exactly the sort of writing that tends to do well in translation, at least in theory.
It's the sort of writing I dream of producing.
In 1801, Jefferson, recognizing the dangers of this sort of behavior, wrote some rules on civility, according to which senators were not to attack one another by name, impugn one another's motives or disparage one another's states.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com