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However, influential early discussions of this sort of thesis seemed to have something else in mind.
A prevalent argument against this sort of thesis rests on the distinction between performance and non-performance works: a musical work can be performed by various persons and on various occasions; a painting cannot.
This sort of thesis is often motivated by considering radically deceived counterparts to us, and appealing to the intuition that such subjects and us are equally justified (Lehrer and Cohen 1983; Cohen 1984; Wedgwood 2002; for dispute, see Sutton 2007 or Littlejohn 2012).
Similar(57)
In light of its triviality, this sort of supervenience thesis fails to identify anything in ethical supervenience that is of philosophical interest.
Recanati (2004) and Bach (2005) have argued that this sort of intentionalist thesis entails giving up on the claim that impure indexicals have characters.
At the risk of dumbing things down, think of this as a sort of "thesis sentence" (remember 9th grade English?) about your life.
Do teachers resist this sort of program?
But this sort of thing is ridiculous.
What rules this sort of situation?
This sort of encapsulates the point.
This sort of thing has a history.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com