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The road to this recording has been long and winding.
("This recording has taken 10 years off my life," she said).
Produced by Pierre Boulez and Patrice Chéreau, this recording has been seen by more than 60 million people.
This recording has a grand, grave sense of moment: it is a coming out of the composer from behind the mask of eccentricity and idiosyncrasy and displaying, in several difficult and expansive works, his thoroughgoing and large-scale musical imagination, even within the relative intimacy of a quintet.
When the recording was released that fall, along with another recording of works by Bartok and Bloch, Howard Taubman wrote in The New York Times that "unless this recording has flattered the ensemble's competence out of all recognition, one must welcome the Chicagoans back to the top rank of American orchestras".
This recording has been reissued several times since first being published on LP in 1959, and forms part of the 2007 release of Stravinsky's works by Sony.
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Indeed, the labels of the record claimed that: "All sounds on this recording have been captured by The KLF.
"This record has lots of contemporary issues," she says.
This record has drawn deserved attention from military officials as a potential model for programs nationwide.
This record has like seven terrific songs with vocal melodies that are stuck in my head.
This record has less to do with who supervises the financial system than with local laws and behaviour.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com