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The stories in this novel move together and apart, and are filled with an awareness of Chechnya's "density of loss".
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None of them have anything to do with the event that gets this novel moving.
This novel moves past its churned-up yet exciting finale toward a suggestion that the curse of the Pluto Water has by no means been resolved.
Spanning some five decades, this novel moves around the eastern half of America and parts of Canada with a plot that is needlessly garlanded with all sorts of gothic tinsel, pointless digressions, portentous asides and cute Vonnegut-like homilies.
The novel embeds a speculative conceit within a familiar setting (the city of Baltimore, in this case, before the novel moves on to Bangkok).
The other family members in this pleasantly bustling novel move between these polar opposites, sometimes attracted, sometimes repelled by the values Solomon and Joseph represent.
From there the novel moves ahead in time.
I can't explain how much that novel moved me.
The action of the novel moves with a foreboding inevitability between the two men.
When the novel moves with its heroine to London in its second half, the mood shifts decisively.
As the novel moves steadily toward its inevitable dénouement, the reader perhaps feels the coaxed direction of narrative convention.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com