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This is jazz".
This is jazz history.
And this is jazz repertory, after all.
This is jazz that does not go toward the darkness.
"You have people say this is jazz, and this is not jazz.
This is jazz,' " Mike Leech, who was then the Strangers' bass guitarist, told me one day.
Similar(41)
This was jazz.
This was jazz, as he played it as a teenage phenomenon years ago.
This was jazz like Coleman had always known it – an attitude, rather than an idiom or genre.
This was jazz repertory as it might be envisioned by Jerry Bruckheimer: a busy spectacle of crisscrossing spotlights, stagy pathos and heroic bouts of virtuosity.
With its soloing, its collective flexibility, its obsession with canon and counterpoint, and its almost complete avoidance of swing rhythm, this was jazz of a kind most Americans aren't used to.
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