Sometimes, you might find that you can't remember what the image stands for.
He goes on to say, "The purpose of the image is not to draw our understanding closer to that which the image stands for, but rather to allow us to perceive the object in a special way, in short to lead us to a "vision" of this object" Narrative prose, Shklovsky argued, doesn't simply rearrange what the reader already thinks she sees.
For me, this image stands at a particular threshold in my life and work, leading to further journeys in eastern Congo.
"This image stood out from the start, for the narrative in the image, the colour palette and the apparent careful composition... it's the coastline, the traditional industrial landscape, the "new" sport of surfing," Rowatt.
The image stood for a few hours before the authorities scrubbed it off; by then it had exploded onto the Internet.
If these images stand for the social reality that Siqueiros saw in the Mexico of 1932, others in the mural are highly political.
"I don't like to talk about my work it's best to let the image stand for itself," the cartoonist and scriptwriter Daniel Clowes says about "Privileged Characters," his cover for this week's issue heralding the behind-the-scenes action at the 2016 Academy Awards ceremony, which will take place this Sunday.
Here is a sneak peek: "I don't like to talk about my work — it's best to let the image stand for itself," the cartoonist and scriptwriter Daniel Clowes says about "Privileged Characters," his cover for this week's issue heralding the behind-the-scenes action at the 2016 Academy Awards ceremony, which will take place this Sunday.
By Mina Kaneko and Françoise Mouly February 22, 2016 "I don't like to talk about my work — it's best to let the image stand for itself," the cartoonist and scriptwriter Daniel Clowes says about "Privileged Characters," his cover for this week's issue heralding the behind-the-scenes action at the 2016 Academy Awards ceremony, which will take place this Sunday.
The three axes of the image stand for the proportion of the pixels in each grid cell that fall into the corresponding color cluster.
Even if only one punter bought it - unlikely, since the most popular of these prints sold in their hundreds - the image stands as a flag for what was still "thinkable and doable" during that dark, difficult year of 1819, when scores of working men and women protesting against the government's increasingly jittery attitude to democratic freedom were mown down at Peterloo.
