Sentence examples for this exhibition covers from inspiring English sources

In 18th-century France, the period this exhibition covers, the Greek ideal was given a new intensity.

(Ken Johnson) Asia Society and Museum: 'Princes and Painters in Mughal Delhi 1707-1857' (through May 6) This exhibition covers the late reign of the rich and powerful Mughals, from whom we derive the word mogul, tracking their decline, which coincided with the rise of British rule in India.

(Ken Johnson) Asia Society and Museum: 'Princes and Painters in Mughal Delhi 1707-1857' (through May 6) This exhibition covers the late reign of the rich and powerful Mughals, from whom we derive the word mogul; it tracks their decline, which coincided with the rise of British rule in India.

Covering a period that begins in the mid-19th century and spans to today, this exhibition covers beach culture up and down our state's more than 800-mile coast — from playful abstractions of the shoreline to expressive watercolors that will make you practically taste the salt air.

Clearly the exhibition covers a lot of ground and raises many questions.

With some fifty pieces, dating from the thirties and forties (David Smith, László Moholy-Nagy) to the present (Sara Vanderbeek, Leslie Hewitt), the exhibition covers a provocatively broad range of photographed constructions, assemblages, and arrangements.

"The relatively long time-span that the exhibition covers," Mr. Smok said, "makes clear the periods of hope and despair and also stories of people who paid a high price for acts of heroism".

Through 100 oils and a handful of watercolors and engravings, the exhibition covers Kandinsky's entire career, from its post-Impressionist and Fauvist beginnings to the fully abstract works that he painted shortly before he died in Paris in December 1944.

As with David Bowie Is, your headphones blare out a soundtrack that automatically changes as you move between exhibits, but this time around, the collage of music and voices feels more deliberately chaotic and fragmented, as if to underline the dizzying pace at which events appeared to be moving during the years the exhibition covers.

"Very often what you get in museums is not that record of everyday design," said Leslie Hoskins, the curator, previewing the installation, "because people tend to concentrate much more on the 'cutting edge.' " The exhibition covers its period with largely amateur photographs taken by homeowners themselves of their interiors.

Running through May 17 at the Thyssen-Bornemisza Museum (www.orgeothessen.org), the first part of the exhibition covers the use of shadowing by Renaissance, Baroque, Romantic and post-Romantic painters through the 19th-century, while the second part, taking place at the Fundación Caja Madrid, will analyze light and shadow in modern art, photography and cinema.