Sentence examples for this essay considers how from inspiring English sources

In addition to establishing this descriptive claim, this Essay considers how the Obama administration has invoked international law in making arguments about the scope of the AUMF.

Reflecting on the embodied experiences of the anu Pacific Islands Field School in 2015, this essay considers how the occupation and possession of Hawai'i, depicted by Teresia Teaiwa as "militourism," has deployed imaginaries of paradise.

This essay considers how modern body cultures such as the American Delsarte and Mensendieck systems reached for industrial, disciplinary efficiency and individualized, emancipatory expressiveness, thus uniting social modernity and artistic modernism.

In addition to outlining the relationship between these groups and militant Hindu groups in India, the essay considers how the arguments in favor of changing textbook content draw simultaneously on forms of cultural nationalism associated with the Civil Rights movement and with the dominant forms of religiosity in the United States.

Specifically, the essays consider how mass marketing and mass media have recast the public as consumers, as audience, as spectators, and as voyeurs.

This essay considers the importance of movement, trajectory and repetition within this reconstruction vision and how the organisation of these things provided a basis for imagining a new form of consensual urban community.

This essay considers the appearance, in the 1970s, of the term 'end-to-end' in computer science discourse, and how the term became a point of contention within disputes about how to build a packet-switched network.

This essay considers dynamic security design and corporate financing, with particular emphasis on informational microfoundations.

This essay considers only one "expanded" environmental philosophy, Aldo Leopold's "land ethic", published as an essay, "The Land Ethic", in his 1949 book The Sand County Almanac.

Not only is reason unexplained by current science, this essay considers human reason unexplainable by science.

More specifically, in this essay I consider how specific art historical and cultural influences are used in three interconnected "modes" (the documentary, the trompe l'oeil and the fantastical) of what I am calling the "landscape of desolation" to support this practical ecocritical function.