As its title suggests, this 1988-98 essay concerns the history of the movies and also the stories told by the movies -- subjects that Mr. Godard introduces by juxtaposing two bygone systems of industrial production: those of MGM and the U.S.S.R. -- "the power of Babylon," as Mr. Godard himself rasps on the soundtrack.
In Book IV of the Essay Concerning Human Understanding, Locke defines knowledge as "the perception of the connexion of and agreement, or disagreement and repugnancy of any of our ideas".
In fact the essay concerned the evolution of human societies and the belief by Hegel and Marx that history would be fulfilled when the ideal political order was achieved — the liberal state, in Hegel's view; communism, in Marx's.
In 1707 Collins also published anonymously the Essay Concerning the Use of Reason in Propositions, the evidence whereof depends on human testimony.
The first essay concerns a great test of American national character.
The essay concerns Jean-Louis André Théodore Géricault's painting "The Raft of the Medusa" (1818-1819), which depicts the 1816 wreck of a French naval frigate.
While Mr. Berger's essay concerns the emergence of zoos, pet-keeping, and animal toys, a signal achievement of the period of modernization that he describes was the birth of cinema.
But Brookner's essay concerns itself with the French Romantics, in the long moment that opens with the extinguishing of Bonapartism at Waterloo and closes with the Dreyfus case.
As noted above, Fichte never had a chance to develop this final subdivision of his Jena system, beyond the tentative foray into this domain represented by his controversial essay "Concerning the Basis of Our Belief in a Divine Governance of the World" and the works he contributed to the ensuing "atheism controversy".
As the title suggests, this was intended to supersede Locke's famous Essay concerning Human Understanding.
This is the route that Locke takes in his Essay Concerning Human Understanding.
