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This dialectic is at the centre of Tennyson's great poem.
This dialectic is core to Media Lab culture, and Schoenberg would have had much to contribute to our ongoing investigations.
One individual whose civic and personal life story POPS out for me and speaks to this dialectic is Ellen Lurie.
In Visconti's "White Nights" (1957), one of his earliest successes, this dialectic is embodied in the rivalry between the timid young suitor played by Mastroianni, who represents down-to-earth sincerity, as against the ephemeral beauty of Jean Marais as the absent sailor for whom Maria Schell yearns.
Much of this dialectic is chronicled thoroughly by Shope 1983, to which the interested reader is directed.
This dialectic is immanent in the little-known case United States v. Ushi Shiroma (1954), and its critique lays bare occupied Okinawa on the edge of U.S. imperial sovereignty.
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Once this goes, he posits, in some way the dialectic is broken in that mysticism needs tradition as its foil in order to survive.
But that dialectic is the spine of his novel: the servant kills his master to achieve his freedom.
This 'third dialectic' is characterized by "the Hegelian term 'work'" (SB, 163).
This dialogue, or dialectic, is present in much great poetry.
What's especially useful about this design-accident dialectic is that it's equally suitable for tragedy and for comedy; it cuts both ways, sharp as a glass cutter on a jewelry case.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com