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These two dances, created years apart, seemed to belong together.
These two dances illustrate the highly charged manner in which he uses his choreography to explore, in his words, "the way we know body language and physical form, the way we relate to each other with body politics".
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These two dance moves, the P.C. Shimmy and the Suicide Stage Dive, when combined, are beautifully guaranteed to cause maximum damage to the country.
(Dunning) ROXANE D'ORLÉANS JUSTE AND PILAR RIOJA (Tuesday through Thursday) These two dance artists join forces in "Two Styles, One Passion," an unusual program that focuses on the shared legacy of José Limón and flamenco dancing.
Watching these two dance together was to feel that here is an artist who knows what he does well, and who doesn't risk straying from his own talents.
The dialogue at first echoes the crisp, elliptical sounds of Mr. Albee, as these two dance around the pressing question of their identities by exchanging conjectures about the watery vistas seen from the windows.
There are squeals of delight when Coppélius's inventions – a toy lion and a soldier – jerk into life (though not having these two dance is a missed opportunity for kids).
Onwards and upwards from these two dance floor guns!
Hours after each performance of all these five dances I found that their choreography and music — even more than these dancers — were happily haunting me.
The program announces that these four dances have choreography in the manner of Marius Petipa (who made the 1890 original) with "additional choreography and staging by Kevin McKenzie, Gelsey Kirkland and Michael Chernov".
People are going to pay money to watch these four dance around in a Jacuzzi full of money.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com