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The realistic and dynamic style of these statues is typical of Unkei's art.
In some sense, Mexican-American support for these statues is a tragic continuation of that story.
If the removal of these statues is going to be different than what happened in 2015 with the Confederate flags, two things have to change.
But as my mother recognized, the arguments Hispanics use to support these statues is eerily close to the language of fascism.
One of the worst things about these statues is that the enshrinement of leaders doesn't just hide the bad things about them it can also obscure the good.
Trump and his white supremacist cohorts believe the reverence some Americans have for these statues is simply respect for history, and that tearing them down is tantamount to ripping pages out of a textbook.
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They complained when these statues were restored.
Few of these statues were in 469 bc grave markers.
Intimately scaled, expressive and heavily ornamented, these statues are likely to change your perspective on Egyptian art even with mummies and the Temple of Dendur only a few steps away.
A few days after I left, these statues were tagged "Fuk France", graffiti attributed to the mysterious No Border activists who have no nationality, hierarchy, or organisation, but a notable presence in the Jungle.
Unlike, say, the British Museum, where devices monitor humidity levels and the artefacts appear infinitely distant, frozen in neoclassical limbo, these statues are still functional objects, the recipients of daily religious devotion.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com