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A weight of 1/α is applied to all case control pairs, to allow for the fact that these pairings will be under-represented in the case-cohort design.
Although four of these pairings were only supported by one marker, all but one pairing (Ck02 with Ck13) agree with previously published rainbow trout maps (summarized in Phillips et al. 2006; Danzmann et al. 2008; Guyomard et al. 2012).
These pairings don't look like courtship, but they're good.
These pairings are in fact high maintenance, and fragile.
I saw two of these pairings in performances conducted by Graham Bond.
There's a desperation about these pairings: men with women, women with women, men with men.
These pairings, the curators say, are very much a record of how artists are working now.
If you've used these pairings in your classroom, we'd also love to hear how.
One wonders, with some of these pairings, if this will really be the case.
It makes sense that progenitors of a genre historically associated with insubordination and defiance might chafe at these pairings.
These pairings serve a broader design as well, one that runs from World War I to the development of the atomic bomb.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com